Monday, April 14, 2014

PAX East 2014: Modernizing Fantasy RPGs Panel Recap

One of the panels I went to at PAX East was one dubbed, “Modernizing Fantasy [Pen and Paper] RPGs.” It was an interesting look at some of the history behind Pen and Paper RPGs, what concepts we think we should keep, and the way forward. It was run by industry veterans Luke Crane (Burning Wheel, Mouse Guard, Torchbearer), Thor Olavsrud (Torchbearer) and Adam Koebel (Dungeon World).

When people look at modern Fantasy RPGs these days, you think dark, gritty settings and expansive rulesets, but it clearly wasn’t always the case. In the early days, the sophistication of current role playing games just wasn’t there. After Gary Gygax released D&D to the masses, the first immediate result was revulsion from some sectors of nerdy fandoms. Turns out the whole idea of hating on D&D and what it stood for isn’t remotely new. So out came Chivalry & Sorcery in 1977, a game aimed at realism but ended up with a horrible ruleset.

Most early RPGs had cover art like this. The industry was not precisely in a place to afford high-quality art.
Shortly after (1978) came Runequest, a game which was level-less, class-less, but entirely skill-based (oh, and it had spell points). Another shining example of those crazy ideas that you might have, and oh, someone already thought of it in the first 5 years of the entire genre. However, what was really important about Runequest was it was the first example of a game that tied rules and setting together. Rather than trying to be just a generic dungeon crawl (D&D), Runequest took the setting and translated it to rules that made sense to convey that setting.

Move forward to 1985, and we have a game called Pendragon. The designers behind this game went the opposite direction of Chivalry & Sorcery. “Fuck realism,” was the precise term used, I believe. You’re a Knight in King Arthur’s court, where does realism come into play? The game featured personality traits, passions, historical and mythological sources, and a deep metagame. But the game was laser-focused: you could be a Knight, or another kind of Knight. The game promised a very specific game, and delivered by not trying to be everything to anyone.

Compare that to Vampire: The Masquerade, released in 1991. The game setting proposes a game where you could expect brooding political drama and high urban fantasy intrigue between vampire clans, but in actuality delivered a superhero game, where you walk into a room and gun down or fist fight all the baddies. Basically, the setting and the rules delivered discordant games.

Then in 1999 Sorcerer was released—a game which reached back to source material of the past, and directly addressed emotional content. The game was all about atmosphere: what makes people do bad things? And so the rules provided a structure and impetus for the players do bad things and experience the fallout from that.

Of course, any panel wouldn’t be complete without the panelists plugging their own products. Burning Wheel was brought up as a game that emphasized player priorities and dramatic play over exploration, loot, and murder. Dungeon World was the exact opposite, being all about said exploration, loot, and murder, trying to bring back that feeling you had playing D&D when you were 12.

So what, in our panelists’ opinions, were the hallmarks of great modern fantasy RPGSs?

First is Task vs. Conflict Resolution. The ability to address success, but also “fail forward,” that is, failure doesn’t necessary mean your game stops. A trivial example of a task would be to pick a lock. Clear skill roll, but failure means you’re stuck. However, conflict resolution might be to gain entry to the chest before the guards appear. Maybe you get into the chest, maybe you don’t. Maybe you do it before the guards appear, or maybe you get in just as they’re rounding the corner. Conflict resolution gives you options as a party and DM to move the game and story forward. The rules should encourage and enforce this.

Second, a comprehensive system that is focused. You want more than just magic and combat to allow for situations outside the generic dungeon crawl (assuming you want that), but the rules should be laser-tight and not trying to be everything (i.e.: GURPS), as trying to be everything to everyone inevitably fails, and ends up with far more complexity than is useful.

Third, a clear and present procedure; rules text that contains the entire game rather than just giving the class descriptions and combat tables and hoping you have a friend who can teach you. Many games are much better about this these days, and rules text that also teaches you how to play is the ultimate goal here.

Fourth, player agency. If your GM is being a shit, players can go to the Player Agency to file a complaint. No, actually, this is talking about persistence of character, player priorities, focus of action on the character story rather than just the GM binging his module and driving everything. An interesting aside to this is what the panelists referred to as the “Nuremburg Defense of Gaming,” an essay found in the Vampire source book. Player agency is well and great, but being a dick to your fellow players just because, “that’s what my character would do,” is a terrible way to play what amounts to a cooperative game. That’s not to say there are not ways to play evil characters and parties, but it’s a tricky balance that most players are incapable of maintaining without the game devolving into useless party self-immolation.

Fifth, narrative. Formally acknowledging “story” and drama, and producing the capability to either deliver a complete story or episode in a single session, or a complex interwoven plot over many sessions. An interesting point brought up was that there’s a myth in gaming that the only game worth playing is the two year campaign with all the same players in the same game and the same story and everything is ruined if someone leaves. One-shots and other formats can be equally as fun and valid.
Early fantasy women were there to be enslaved or ensorcelled. Nowadays? I wouldn't want to tangle with this Pathfinder Paladin. She's pretty badass. The boob armour is still a bit odd (studies show that's just going to get a sword through her sternum), but companies are getting better.
Once we covered all of the above, the panelists covered some odds and ends and went into some miscellaneous points as well as answering questions.
  • Fantasy has a bad rap. It’s seen as puerile, and with good reason given some of the awful cover art (especially from the 90s). But it is pretty cool that we’re airing our dirty laundry and getting better at representation of anyone who isn’t just the straight male.
  • The RPG industry is going through a bit of an old school Renaissance, where games with really small but focused rulesets to convey a specific setting/feeling are coming back into vogue.
  • Roleplaying has exploded over the past decade. All sorts of ages and people playing these days.
  • Video games and RPGs have a bit of a cyclical relationship, where each borrows from the other. Board games were a good impetus for creating procedural rules in games.
  • A game’s rules can set the tone for interpersonal dynamics, but cannot fix someone acting in bad faith. Your only recourse is to get them to change their behavior or kick them from your group.
  • A game should have enough rules to be a good game. If you’re trying to experiment with the smallest number of rules, you probably won’t end up with a good game.
  • The rules are the setting. The intent of the mechanics should absolutely change with the setting. A sword fight in a medieval game can be quite in-depth about scoring hits, but in science fiction you’ll just cut them in half because SPACE SWORD. As such, mechanics can imply things about the setting.
  • Game rules are modifying the behavior of the people at the table. If the players are constantly making poor decisions, you need to change the rules to incentivize the right decisions.
  • Things like ability scores are not necessarily obsolete. They create a boundary and comparison for characters. If you need to know if you’re stronger than the orc you are fighting, it’s an important statistic. If you’re making a dating game, it probably doesn’t matter if you’re stronger than your date.
  • When a player is at a loss as to what to do, the first thing they do is look at their character sheet to determine what options they have, making the character sheet an extremely important way to convey information and options.

Overall, it was a pretty interesting panel. Definitely lots of good information that can apply outside the Pen and Paper RPG genre, as well.

#PAX, #GameDesign, #GoodDesign, #BadDesign

Saturday, April 12, 2014

PAX East Day 2: Diversity Lounge, Cosplayers, Game Design Panels

Day 2 of PAX East was quite the doozy. Once again I tried to get to the Blizzard booth, but the line was 4 hours long once I got there, which is to say completely ridiculous. I had far better things to do with my time than stand in line for content I’ll probably end up playing no matter what in… six to eight months.

This was the line to get into the Expo Hall 30 minutes before it opened. It was twice as big by the time 10 AM hit.
Game Design Panels

I also went to a couple of panels that were absolutely fantastic looks in game design.

One was “Modernizing [Pen and Paper] Fantasy RPGs”, run by
  • Adam Koebel (Kobold, Mouse Guard)
  • Luke Crane (Dungeon World, Burning Wheel)
  • Thor Olavsrud (Torchbearer).
It was a great rundown of the history of Pen and Paper fantasy RPGs, and the concepts they think are really being brought to bear in modern game design.

The other was “Next Generation MMO Games: What’s Next for Multiplayer Trends?”, run by
  • Dave Georgeson (Director of Development, Landmark, SoE)
  • Ian Fisher (Director of Design, Robot Entertainment)
  • Kjartan Pierre Emilsson (Principal Game Designer, EVE)
  • Stephen Frost (Design Producer, Wildstar)
  • Stephan Johnston (President of Guild Launch, who seemed to be there largely to plug his product).
They talked about where MMOs have been, where they think the future is, and what are the biggest hurdles to developing MMOs.

I’ll be putting up far more in-depth coverage of those talks later here on Gamer By Design, but for now just know that some really cool content is coming. They were fantastic talks.

Cosplay Interlude

Lulu, Auron, and Lightning. Wonderful details!
Ringabel! And the book is a fantastic touch.


Diversity Lounge

Later I went to check out the Diversity Lounge. For those who don’t remember, a while back there was a kerfuffle when news of said Diversity Lounge leaked. In a nutshell, the Diversity Lounge was to be a space set aside for PAX attendees to get information on women, LGBTQ, people of colour, disabled folks, and mental health issues in gaming. The Internet being what it is, of course people blew up, panicked, and nobody on any side of the aisle was happy.

How’d it turn out in practice? Not too bad. There were actually three pieces to this puzzle.

The first was an actual gender-neutral restroom. Granted, they had to convert a ladies room into one, and due to local bylaws and rules at the convention center, that was as far as they could go, but it was pretty cool.

The second was the AFK room. A quiet space off the beaten path for folks who are overwhelmed to come sit and chill out, and talk to mental health professionals on site if they wished. I walked by it and didn’t check it out (and certainly didn’t take any photos of the space), but the concept was again pretty cool. I didn’t see how many people were using it, but having the option is awesome. Kudos to Khoo and company for this.

The third was the Roll for Diversity Lounge itself. The area had a number of booths, including a couple of Seattle-based ones (an LGBT book publisher called Northwest Press and a local gay-gaming comic strip), a transgender in gaming booth, a women in Magic: The Gathering booth, a Toronto LGBT group, an Ablegamers table dedicated to disabled people and gaming, a race and color in games booth, and an University-provided Ethicist who you could ask questions of. There were purple-pink lanyards you could use for your badge, and there were a couple of tables and a bunch of bean bags for people to use. The Northwest Press booth in particular had a fantastic sticker, which the URL gives you the gist:, but it is amazing!

On Friday the lounge was rather empty for the couple times I passed it, and Saturday morning it was also rather empty. Saturday afternoon, however, saw the tables full, the bean bags full, and every booth had two or three visitors, which was really cool to see. The folks at the booths seemed happy to be there, and excited to chit chat, and the enforcers were awesome as usual.

I talked with the Ethicist for a bit, asking him the slightly snarky question of why an ethicist? He responded quite well with everything from how people are represented (or lack of representation) in games, to things like gambling addiction and Free-to-Play models. I was rather impressed, and he made some excellent points.

I think overall, the concept is a net-positive for the show; however, the one thing that still nags at me is the fact that they’re separate spaces. Less so for the AFK room, as that makes sense, but the Diversity Lounge rightly should be a space on the Expo Hall floor, like the Indie Megabooth. The fact that there’s a sequestered space, while on the beaten path if you’re going to panels, but still to the side, still feels wrong to me. The entire show should be a safe space, and the Diversity Lounge should be placed in a spot where more people will see it and have the opportunity to ask the questions they need to ask.

#PAX, #DiversityLounge, #Cosplay, #GameDesign

Friday, April 11, 2014

PAX East Day 1: Awesome Indie Games and 20,000 Steps in 4 Hours

I’m a bit zonked from the 3 hour time change from Seattle to Boston, so I didn’t spend much time Friday at PAX East. There was only a single panel I wanted to go to, and outside of the indie game booths, not a whole lot interesting going on at the Expo hall itself. But I did get to check out a few super neat indie games. There were a tonne, but here’s the ones that caught my eye:

Colliding Forces

This was a cool little take on Air Hockey meets Greek Elements on tablets. The gist is simple: you need to get a puck of each of the four Greek elements into the other player’s goal first. You summon pucks at gates, you can upgrade pucks (Earth -> Fire -> Wind -> Water), or you can fling pucks The more Earth pucks you have, the more turns you get in a round; Fire pucks destroy other pucks when they touch, then it dies too; Wind pucks repel other pucks; Water pucks put out a zone of control across the board. Pretty easy to pick up concept, but seems like there’s a fair bit of strategy to be had.

The lady demoing the game to me thoroughly trounced me, but I made some pretty basic errors (hey, it was my first time!). Seemed like an interesting game overall.

Fit for two-players in the same meatspace on iOS and Android, it is available right now.


This game was described to me at the booth as, “Metroid meets Castlevania: Symphony of the Night, with procedurally generated dungeons strung together with story-based dungeons to move the game forward.” I mean, you had me at Castlevania: SotN, really. A 2D Action-RPG platformer for PC/Mac/Linux, it seemed pretty sweet. I didn’t get any hands on time (someone else was playing the demo), but it seemed pretty nifty. The gentleman said it really was a love letter to the videogames they grew up and loved.

The premise behind the game is you’re a soldier who deserted the army after getting a letter that told you to get back home. On the way back, you end up in a mining town, but you cannot leave (in fact, the town is a love letter to Pac-man, as when you leave one side, you come back on screen on the other). Over time, more NPCs will get stuck in town with you as you try to figure out what the heck is going on.

Currently available for pre-order for both Steam and DRM-Free,

Darkest Dungeon

Most games our heroes are just that, heroes. Very few of them deal with the stresses and mental damage that a dungeon crawl really would put people through. Darkest Dungeon looks to remedy that. Your party of four heroes venture deep within the earth on an adventure through narrow passages. The mental tolls that adventuring puts on your party turns into very real consequences for your characters, and you need to manage them as well as the normal combat and dungeon crawling aspects.

Combat is also an interesting affair. Everything is in tiny passages, so both parties end up in a line. Where you are in that line determines what abilities you have for use. If you’re a caster and too close to the front, you’re relegated to melee abilities. Far in the back and you can lob spells with impunity. Granted, monsters have the same concept, so battles almost become a puzzle.

Another game I didn’t get any hands-on time with, but the concept intrigued me greatly. Currently available for pre-order for Windows, OSX, or Linux.

Delver’s Drop

I’ll admit, this one caught my eye because it is pretty. Very, very pretty. An action roguelike which has the smoothest action I’ve seen in such a game (rather than the usual grid-based system), and like most games in the indie showcase, procedurally generated random dungeons. Besides it being really pretty and the fluid mechanics, I didn’t see much else to set this game apart from others in the genre, but given a lot of roguelikes tend to be staid grid-based, pixel-art dungeon crawlers, this may have enough of a leg up to be worthwhile to play.

Available for pre-order on desktops (Windows, OSX, Linux) to be released mid-2014, and late-2014 for mobile and OUYA (wait, really? Someone’s actually developing for the OUYA?).

Hand of Fate

This game was extremely intriguing. Advertised as a deck-building action RPG, it has roguelike elements to exploration, and Batman: Arkham Asylum or God of War action combat sequences. I got to play a little bit, and I have to say, this is my pick for the coolest game by far.

The exploration mode is a “dungeon” made from tarot cards. You can see the backs of the tarot cards, so you know what kind of encounter is coming, but you don’t know what the encounter is precisely—unless you’re moving backwards through the dungeon, in which case you get to redo encounters over again. Each move costs food, of course, and if you run out of food, you start losing health.

Combat encounters themselves were pretty fun, at least the ones I played. I got thrown into an arena, and had to fight off some bandits. You have three basic moves: attack, counter, and dodge-roll. Attack and dodge-roll are pretty self-explanatory, but counter was interesting. If an enemy is winding up a big attack, they get a green timing bar above their head, and if you hit counter, you hit them an interrupt their attack. Attacking auto-targeted enemies, and hitting attack over and over again made my character jump from bandit to bandit. Felt pretty smooth, if a bit simple.

I like the idea and the execution of the game, and I’ll definitely be keeping an eye on it. Available for pre-order to be released on Steam (Windows, OSX, Linux), and developing for the PS4. Their website states in the first quarter of 2014, but that’s clearly passed, so I’m not sure where that sits now.


Other things at PAX East
So many PCs

So many people

So much Tabletop space

The thing about PAX East is that it really feels BIGGER than Prime. The Expo hall at Prime is definitely larger, but there seems to be so much more space at the BCEC than the Seattle convention center. I managed to rack up about 20,000 steps according to my FitBit, in only 4 hours of time (and an hour of that was sitting at the Writer’s panel).

Apparently the badge that I got is confusing, because it states I am a “Special Guest”, which confused at least one security guard. Would have been nice to just have the normal 3-day pass, but eh, I’m pretty special I like to think. I’d post a photo, but I’ll wait until closer to the end so someone can’t try to counterfeit it.

The Writer’s Workshop was pretty good. Not really anything I didn’t already know from my forays from writing fiction in the past, but was good review. Find a writer’s group; always write down everything; learn from all sources; self-promotion is important, even when going traditional publishing; so on and so forth.
Still all Orcs.

The Blizzard booth in the expo hall was crazy. There was seriously a line for the line. Blizzard had Hearthstone for iPad, Heroes of the Storm, and Warlords of Draenor all available for playing. I wasn’t going to stand in a 2 hour line for any of that, though. I can wait, thank you very much.
The coloured templates were sadly only prototypes. Being able to put down blasts without lifting all of the minis? Awesome.

I also found these nifty tower things for miniature gaming. Basically, if you have flying creatures/players (or aquatic), it’s a pain to keep track of heights and position. Not anymore! A couple of towers and big giant platforms that are totally customizable as far as heights go and now I’m set. These will be great for D&D!

I got to get a glance at the Diversity Lounge and perhaps it was because I was ravenously hungry and wanted to escape, I was both happy and a little disappointed with it. I'll be checking it out in closer detail tomorrow to see if my initial feelings stick.

Overall, I’m having a blast, despite only spending half of Friday at PAX, and looking forward to more tomorrow. Tonight I’m having dinner with one of the healers that I raid with, but for now, nap time!
#PAX, #IndieGames

Wednesday, April 9, 2014

PAX East 2014: Pre-Flight Inspection and Itinerary

Tomorrow I head off to Boston for PAX East! It’ll be my second PAX East and my 10th PAX overall. Yes, I’m a bit of a PAX fanboy. There’s something about just immersing yourself in the excitement that is 60,000 people in an area, completely stoked about gaming in general.

While this is my first PAX where I’ve also blogged, I always have some goals in mind, and this PAX is no exception. It just so happens that a lot of what I want to see tends to be the kind of stuff I’d want to write about.

First, these so-called Diversity Lounges. I’m intrigued by the possibilities, and terrified of how the execution may get botched. I want to go check it out for myself, and hey, if I learn of any new queer or LGBT games coming out, bonus!

Second, panels, panels, panels. Granted, I always check out at least three or four panels every year, but of course I always have to pare down what I want to see with what’s realistic. So, panel wishlist:

Third, Tournaments! More specifically, I am a Settlers of Catan fiend. I didn’t get to play in the Catan tournament at PAX Prime 2013 because it was some official thing for US citizens only, and as I’m Canadian, no go. But the East tournament looks to be less official and therefore I can go kick ass and take names. Hopefully!

Fourth, the Expo Hall. It’s so much fun wandering the Expo hall and seeing all the developers strutting their stuff, from indie game devs and figuring out what’s new and awesome there, to the big names like Blizzard, Microsoft, Sony, Nintendo, ArenaNet, and many, many more. Also, cosplayers, everywhere.

Fifth, Games! The flight to and from Seattle will be a great time to get in some FTL on my iPad, and perhaps dig into a game or two on my 3DS that I own but haven’t finished. Or maybe I should catch up on some writing? I rarely feel productive on flights, so I’m thinking just sleeping/games it’ll be.

I’ll be having dinner with one of my guildies on the Friday night, and probably heading out to a party on the Saturday night, but no plans as of yet for Sunday before I fly back on Monday, so I may have my PAX debriefing Sunday night. If not, expect it closer to next Wednesday.

To PAX I go!

Monday, April 7, 2014

Complexity and Depth, or Why WoW Devs are Axing Abilities

A topic that pops up again and again, especially in World of Warcraft expansion discussions, is the twin ideas of complexity and depth. The two definitely often have a correlation, but their relationship isn’t precisely simple. When you hear people talk about things like modifying talent trees, or pruning the number of abilities, the devs suggest they are removing unnecessary complexity, and your random smattering of forumites complain about the devs dumbing down the game.

Before we can really dig into complexity and depth, it’s important to know what we’re talking about. Complexity, when boiled down to its essence, is the idea of how many “rules,” or things you have to know to play the game. Depth is the possibility space enabled by the game’s rules, or how many meaningful choices can you make playing the game?

A game like Tic-Tac-Toe has both low complexity (the rules are extremely simple), and low depth. The possible moves afforded by the game are extremely low, and frankly an eight year old can master the game pretty quickly. Compare that to the canonical example of the game “Go” as a game with low complexity, but enormous depth. The entire ruleset is small enough that you can learn how to play Go in 5 minutes, but to master the game can take many hundreds of hours of play.

Go (picture stolen from Wikipedia)
An example of the other end of the spectrum would be The Legend of Zelda series. The game is pretty complex when you consider the number of tools like the boomerang, bombs, bow and arrow, potions, magic, bottles, and so on, as well as the concepts of health, magic power, inventory space, and then all of the enemies, bosses, temples, etc. And yet, there is generally only one way to solve each temple, and one way to kill each boss. A lot of complexity, but a small possibility space.

Game designers actually have a name for the idea of low-complexity, high-depth ruleset, which is to say such a game would be “elegant.” But the interesting thing about that concept is that it’s all relative. It’s quite possible to have a complex game with a much greater possibility space. Think of StarCraft, which is definitely a lot more complicated than Go, but has an immense depth, as evidenced by that fact that 10 years after the game was released, people were still demonstrating new strategies, counters, and tactics. So perhaps a better definition for elegance would be a high ratio of depth to complexity.

Elegance is often considered the Holy Grail, or the Theory of everything, of game design. But why is that? The thing to keep in mind is that complexity unto itself is neither bad nor good. There are plenty of games out there that are extremely complex but still are absolutely a blast to play, like the Civilization series. There’s something to be said about the joy of wrapping your head around a giant rule space and managing to make something of it. And like the StarCraft example before, just because a game has a complicated ruleset doesn’t mean that said game isn’t elegant.

However, complexity brings with it a number of issues with it that make game design more difficult than it often should or needs to be.

The first problem is a restricting ruleset. Just because something is complicated doesn’t mean it gives rise to a large possibility space. A trivial example would be you have to race from point A to point B, but you can only turn left or move forward. More rules, but now you’re restricted in what you can do, so therefore your possibility space is smaller. Now, you can introduce more rules like that to make the problem more interesting to solve immediately, but you’re trading immediate difficulties for long-term depth. A restricting ruleset, like anything else in design, isn’t inherently bad or good. But the issue is that the more rules you have, and the more they intersect, the more likely you’re going to accidentally introduce rules which restrict the possibility space in a way you didn’t foresee and is undesirable.

Which leads into the second problem, which is obfuscation. Just because you have complexity doesn’t mean you have depth, and even worse, the complexity may be disguising something trivial as depth. The perfect example of this would be the talent trees in World of Warcraft circa Wrath of the Lich King. As you leveled, you got points to put into the trees, but as there were very few truly mutually exclusive choices, and a few traps that you’d be silly to put points into, it wasn’t really that deep of a system. When you looked at all the possibilities after discarding the traps, it was a really small number of talent trees per class specialization. However, because it was presented in a complex way, it quite successfully hid the fact that it was complex without really adding anything substantial to gameplay. If 99% of your players make the same choice, then the choice isn’t meaningful and therefore is false depth.

Phenomenal cosmic complexity, itty bitty possibility space.
The third problem with complexity is it inherently breeds inaccessibility. The more complicated your game, the steeper and longer the learning curve your game will have. While many folks have the patience and desire to learn a complex ruleset like the kind you can find in a game like Galactic Civilizations II, so many more people do not. So by reducing complexity you increase accessibility, and with it broaden the pool of players with the ability and want to learn your game, which is just good business.

Complexity brings with it a load of issues, and it is possible to create rulesets that are simple but provide an immense possibility space, hence why many game designers believe that elegant design is the best design. Accessible, obvious at first glance but full of nuance and possibility, easy to learn but difficult to master, and so on. Complexity isn’t bad, but complexity for its own sake can actively harm your game. It’s a tough balance to achieve.

So when we apply that to what the developers are trying to do with paring down the number of abilities on our action bars, we have a game that is extremely complex, and each class within the game is their own sub-game, pitted against bosses which each have slightly different rulesets each. Add to that things like buffs, consumables, interacting with other players in your group or raid, professions, quests, etc. not to mention the fact that combat is in real-time rather than turn-based, and you have a game that is quite inaccessible, but not necessarily that deep, either.
Randomly found a UI image on the Internet. This is not the face of an accessible game.
To use an example, Hunter’s Mark. Ignoring the iconic aspect to the ability, in PvE it really only increases the damage of Hunters against the target, and it’s auto-applied by a number of your abilities, so you aren’t really thinking about it. It’s an ability that adds unnecessary complexity but absolutely no depth, so it’s ripe for the chopping block and the 5% damage boost just baked into the class. But if you’re a player digging through abilities, it’s something that you notice in your spellbook, and have to think about on the fly. Nothing substantial about your rotation changes with its removal.
At the end of the day, Blizzard’s developers are trying to increase accessibility and depth, and reduce complexity. On the surface it looks like they’re “dumbing the game down,” but if the things that are being removed or changed had little to no actual consequences to playing the game itself, then are they really dumbing it down, or are they just cleaning up the cruft that’s accumulated over the years and making things a little clearer? And why wouldn’t that be a good thing?

And if all of that was tl;dr, then go watch this video. They do a pretty good job of explaining the concepts:

#GoodDesign, #WoW, #DesignExperiments, #WarlordsOfDraenor

Friday, April 4, 2014

Holy Paladin, Batman! WoD Alpha Patch Note Discussion

Blizzard dropped one hell of a set of patch notes for the Warlords of Draenor Alpha—33 pages of it! A lot of it goes over stuff about the squish, healing changes, PvP changes, etc. that we’ve already seen, but weaves it all together into a larger narrative for anyone who has the patience to read it all. Sadly, judging from the comment section on the blog post itself, that was hoping against hope, but I’m going to take a look at the changes for Holy Paladins in a holistic manner.

Do note that as always, all of this is preliminary. We’re working off limited information that is all subject to change. So let’s begin!

New Talents
Beacon of Faith – Mark a second target as a Beacon, mimicking the effects of Beacon of Light.
Beacon of Insight – Places a beacon of insight on an ally, increasing their healing received from your next direct single-target heal within 1 min by 30%. When consumed, or when the target reaches full health, it moves to the most injured ally within 40 yards. Limit 1.
Saved by the Light – When you or your Beacon of Light target drop below 30% health, you instantly grant the injured target a protective shield, absorbing up to 30% of their maximum health for 10 sec. You cannot shield the same person this way twice within 1 min.
The level 100 talents are all quite interesting from a healing perspective. Beacon of Faith gives us a strong option for when both tanks are taking a lot of damage (i.e.: Fallen Protectors in SoO), or perhaps if you're just bad at Beacon Swapping. Beacon of Insight has a bit of a Prayer of Mending feel to it, but seems like it could be neat for spot healing the raid as it is smart. I doubt we'll see much use out of it though, as guaranteed throughput on a single target (or two targets) that you know are taking damage seems stronger. Saved by the Light might be a fantastic option for fights where only a single tank is taking damage at a time, but tonnes of it (i.e.: Malkorok), or for progression to give yourself a second life, so to speak. I imagine it'll be a good default option for players who aren't good at managing Beacons in general.

Draenor Perks
Empowered Beacon of Light – Your single-target heals heal your Beacon of Light target for 10% more.
Improved Daybreak – Increases the healing from Daybreak by 100%.
Improved Holy Light – Increases the healing from Holy Light by 20%.
Improved Flash of Light – Increases the healing from Flash of Light by 20%.
Improved Denounce – Increases the damage done by Denounce by 20%.
Empowered Holy Shock – Increases the damage done by Holy Shock by 20%.
Enhanced Holy Shock – Your Holy Light and Flash of Light have a 10% chance to cause your next Holy Shock to not trigger a cooldown.
Improved Divine Protection – Divine Protection reduces magical damage taken by an additional 10%.
Improved Forbearance – Reduces the duration of Forbearance by 30 sec.
Most of these aren't terribly interesting. Simple buffs to our bread and butter abilities. The interesting bits are Enhanced Holy Shock and Improved Forbearance. The ability to once in a while weave in an extra Holy Shock is awesome, because it's our only instant heal now, and it generates Holy Power. 10% isn't high enough to rely on it, but it'll be a great bonus when it occurs. Improved Forbearance basically halves the debuff a target gets after Divine Shield, Lay on Hands, or Hand of Protection, which is amazing. We'll be able to perform even more stupid Paladin tricks with Hand of Protection and wiping out debuffs on tanks.

Intellect no longer provides an increased chance to critically strike with spells.
The base chance to critically strike is now 5% for all classes. There are no longer different chances to critically strike with melee, ranged, and spells.
Attack Power, Spell Power, or Weapon Damage now affect the entire healing or damage throughput of player spells.
All players now have a 100% chance to hit, 0% chance to be dodged, 3% chance to be parried, and 0% chance to glance, when fighting creatures up to 3 levels higher (bosses included).
Holy Insight no longer increases the chance to hit with spells.
As part of a push to combine the different types of Haste in the game as much as possible, we merged Spell Haste and Attack Speed into just Haste.
Blizzard continuing the trend of making each stat do one thing, and divesting crit from our stack stat, Intellect. It truly only provides more spell power now.

But more interestingly, weapon damage will now potentially contribute to healing throughput? If I'm reading that right, they're making WoW more like Diablo III. I wonder if that means they can just axe spell power as a special stat for weapons and it's just baked in. I could also be reading way too much into it, and it's just a confusing sentence. It was basically just an awkward way of saying no more base damage/healing. Abilities are now only the % scaling portion of Spell Power/Attack Power/Weapon Damage/Whatever appropriate.

Hit/Expertise are now gone, though, so hooray! Finally, Spell Haste and Melee Haste are no longer different things. Finally my raid will actually have spell haste. Excellent quality of life change.

Triage Healing
Smart heals will now randomly pick any injured target within range, instead of always picking the most injured target. Priority will still be given to players over pets.
Long-cast-time single-target heals, such as Greater Heal and Healing Touch, now cost roughly half as much as fast-cast-time single-target heals, such as Flash of Light or Healing Surge, and heal for roughly the same amount.
Every class has multiple area healing spells available, some low throughput and efficient, others high throughput and inefficient.
Area healing spells are tuned to be less efficient than single-target healing spells when they heal 2 or fewer targets, and more efficient when they heal 3 or more targets.
Spells with cooldowns or limitations may have higher efficiency than the no-cooldown equivalents.
Nothing really new here that we didn't discuss before in the triage healing post. I'm still a little iffy on the smart heal changes. The higher precision language around your bread and butter single-target heals is interesting, as they both will heal about the same amount, but one is faster and twice as expensive, making the snap-evaluation a lot easier.

Ability Pruning
Avenging Wrath is now only available to Retribution Paladins.
Devotion Aura is no longer available to Protection Paladins.
Divine Light has been renamed Holy Light.
Holy Light has been removed.
Divine Plea has been removed. Mana costs for Paladins have been adjusted accordingly.
Guardian of Ancient Kings is now only available to Protection Paladins.
Hand of Salvation has been removed.
Blinding Light has been removed.
All right! Now we're getting really fun. Holy Light/Divine Light we already knew, but losing Wings kind blows. I want my pretty wings. Losing Guardian of Ancient Kings wasn't unexpected either. Holy Paladins have so many throughput cooldowns right now it's completely silly. Losing Blinding Light is a bit annoying, as it was a good AoE "stun" (glyphed) option for some raid fights with lots of adds (like Galakras in SoO). Besides reducing our single-target heals by one, there's almost nothing to really change how Holy Paladins operate here.

On the other hand, Hand of Salvation being removed? Hahahahaha. Oh man, the poor melee in my raid are ALL going on BoP timeout anytime they pull aggro! No more aggro removal for you.

Ability Modifications
Divine Favor now also increases all of the Paladin’s healing by 100% for its duration.
Denounce's range has increased to 40 yards (up from 30 yards).
Hammer of the Righteous now deals 50% Physical weapon damage (up from 15%) to the primary target, but the primary target is no longer hit with the Holy damage.
Seals no longer cost any mana.
Stay of Execution (the Holy version of Execution Sentence) now deals its healing in a large burst at first, and then decreasing over time (reversed from before).
Eternal Flame now deals 100% of the direct healing of Word of Glory (up from 70%), but only 50% as much periodic healing as before. Additionally, Bastion of Glory no longer affects the periodic healing.
Repentance's cast time has been increased to 1.8 seconds.
Turn Evil's cast time has been increased to 1.8 seconds and now has a 6 second duration in PvP (down from 8 seconds).
Eternal Flame now has a 1.5-second cast time (up from instant cast) for Holy Paladins.
Light of Dawn now has a 1.5-second cast time (up from instant cast).
Word of Glory now has a 1.5-second cast time (up from instant cast).
Redemption now costs 4% of base mana (down from between 10% and 50%).
Our instant cast spells becoming 1.5 second cast times we already knew was coming, and as mentioned in my healing analysis, it really just makes it the full GCD, so throughput standing still shouldn't be affected, just our mobility. Increasing cast times on CC doesn't affect PvE really. Divine Favor also increasing healing throughput by 100% is amazingly powerful, though. Really, it's just shoving Guardian of Ancient Kings' effect into Divine Favor as if you stacked the two, but still, seeing the number laid out like that is still a bit of a jolt.

A lot of quality of life adjustments too, like seals not costing mana, Denounce's range moving to 40 yards, and Redemption getting much cheaper. Stay of Execution's healing burst being moved to the beginning of it makes it a lot more attractive. Moreso than Holy Prism/Light's Hammer? Not likely. Still, the thought is nice and the theory sound. Losing Divine Plea is mildly sad, but it really just became a button to hi whenever it came off cooldown, so I suppose there wasn't much gameplay there anymore once they got rid of the cleave effect.

Overall, there isn't a lot new that hasn't already been discussed about triage healing. We're not losing many abilities, and the ones we are losing we had an overabundance of them anyhow (CC, single-target heals, throughput cooldowns). The basic kit of Holy Paladins remains as is, and other than a few numbers tweaks and getting us back to triage healing, there's nothing special here. The talents are interesting, but I think it's pretty telling that the developers thought Holy Paladins were in a good place gameplay-wise at the end of MoP, and I do agree with that.
#WoW #HolyPaladin #DesignExperiment #WarlordsOfDraenor #Patch

Monday, March 31, 2014

A Landmark Occasion

If you haven’t heard of Landmark, it’s a new MMO by the Everquest Next folks. At its core, it’s effectively Minecraft the MMO, but boiling it down to that really does the game a complete disservice. A friend of mine gave me a Closed Beta key, and I played around for a good 15 hours or so over the past few days.

First, the developers are advertising this stage of development as a beta, but in reality it’s more of a late alpha. They’re absolutely nowhere near feature complete, missing a few basic things like caverns, water (static, let alone dynamic), health, combat, real crafting, and so on. Actually, the developers are pretty freaking awesome in that they have a blueprint for what they want to achieve in this stage of development, taking the transparent development cycle to the extreme. It’s a fascinating window into their thoughts as a team. It’s a minor quibble in the end, beta versus alpha, but it is a difference of expectations I had given the term “closed beta”.

So what can you do? Explore; harvest trees, plants, and minerals; perform really basic crafting; and build stuff. When I entered the game, after creating a quick character, I ran off to do things!

I made a decision early on not to rely on outside information if I could, because exploring is quite fun. After about three hours of mindlessly wandering, mining copper and chopping down trees, I had staked out a spot and realized…I couldn’t build. I needed to claim it! Which required building a claim flag as far as I could tell from the map UI. Of course, I didn’t know how to build anything, but I figured there might be something by the entry point, and lo, there were basic crafting stations.

But to make a Claim Flag, I needed Elemental Iron, which meant I needed a better pick than my stone pick. After making a copper pick, I ran off to find me some iron. After about 5 hours total playing, I had finally crafted a Claim Flag. When the developers mentioned on the closed beta intro video that, “this wasn’t a race,” they weren’t joking. It seems a little bit ridiculous that it took me that long to be able to actually put down roots somewhere. It’ll be especially vexing later once you can die.

Look at those pretty voxels! LOOK AT THEM!

One of the first things I noticed when mining things was how natural the voxel system felt. Don’t underestimate the feeling of chipping away chunks of earth and minerals, rather than breaking blocks: I still haven’t tired of the mechanic, it is awesome! It does lead to some interesting floating artifacts sometimes if you chip away at either side of a voxel, but it generally didn’t hinder me at all.

What did hinder me was the camera system, however. When you’re inside a hole you’ve dug out, your camera goes right through the wall with great ease, making it impossible to see anything at all. I found that the only recourse was to be in first-person mode when mining. Over-the-shoulder failed to be useful underground pretty well entirely.

Anywho, I went and found a spot to place my Claim Flag, in a nice pretty tropical forest valley. Most folks seem to place theirs on top of a hill or mountain, but like the hermit I am, I found a quiet, secluded spot way off in the middle of nowhere to stake my claim.

You can actually claim more land around the initial claim by crafting a different type of claim flag, but I certainly didn't need it yet.
Once I had put down my claim, I started clearing stuff out. Trees, rocks, and so on. I even laid out a stone foundation for the house I wanted to build. Once you’re in your claim area, you can’t mine or chop trees. Instead you use the building tools. If you want to get rid of a tree or a rock, you can just right-click and select “Delete” and bam, no more tree or rock, which is super handy. Unless that tree or rock rests partially outside your claim space, in which case nothing works. You can’t harvest it outside your claim, and you can’t delete it inside your claim. Also annoying, if a large tree has branches that rest inside your claimed area, you still can harvest it. Minor known issues, but interesting nonetheless. Really, just clear out the space before making your claim so you don’t need to worry about it.

After making everything neat and organized, I realized that I didn’t have any crafting stations to make props, or smelt ore, or anything really. So back to the portal I went to make a Forge. I also required a Tinkerer’s Workshop, and an Alchemist Station, too. But each of those required higher level materials than what I had.

I could mine Copper, Tin, and Iron, but I needed Silver and Tungsten as well. I also needed higher-level wood, which required a higher-level axe. So back to resource gathering I went. To upgrade my pick, I needed a better axe to get the wood. To upgrade my axe, I needed a better pick to get the minerals. The upgrade path alternates between the two: pick, axe, pick, axe, and so on. It feels good, and natural. However, like everything in this game, it takes an inordinate amount of time to get the resources needed to upgrade my tools, and make the crafting stations I needed. After about 12 hours, I finally had the resources I needed to have the crafting stations and building tools I had to have to build cool things.

If your crafting interface looks like this, you're stalling the game industry using a 15+ year old mechanic.
A slight aside, they are working on Crafting 2.0 (as they put it), but like every other MMO, “crafting” currently consists of having the ingredients, pressing a button, and waiting. There is literally no good reason to have that as a mechanic, other than that’s how it’s always been. WoW does it too, and it irks me greatly. If you want it to be time limited, then make the time count for something! Make it take 6 hours to smelt that iron. Or better yet, make it take 0 seconds, just have it happen when you press the button. There’s no gameplay here, it’s just tradition.

When you look how Minecraft does it, that’s where time can make a difference. When you’re making 64 wood sticks, it just happens. When you have to smelt 64 bars of iron, it takes time, and the limitation isn’t just time, its inventory space as well. Unless you build an automated smelter, of course! The trick for Minecraft, however, is that you can do other things during that time period.

FFXIV does away with all of this, and makes crafting like combat, which is far more engaging and fun in my mind, but not really necessary.

Be bold, SoE developers! Don’t do something just because it’s always been done. Make it better, or cut it!

Crafting stations in a very pretty stone room. I think the floor is some sort of gemstone or metal. Also note that you can give someone's claim a thumb's up if you like it, and folks can see how many people have done so.
Once of the cool things about exploring and looking for resources is getting to see other player creations. I’ll be the first to admit my creativity is severely lacking when it comes to architecture, not to mention my patience. What other players have done is absolutely astonishing. In a desert biome, I ran into a desert palace under construction, and further back another player had built a statue in embedded in a pyramid in the side of a mountain.
The "stained-glass" windows are raw metal I believe. You can see the pyramid in the background.

The statue is awesome, and there's an entire set of rooms and such inside the pyramid as well.
I wouldn’t even know where to start on that.

But! I had been gathering, exploring, and digging through menus long enough! The time had come to finish my house. Or well, start it.

And this is where Landmark really shines. Ignoring the fact that it took me nearly 12 hours to get the materials to create the building tools, Landmark absolutely will change the way sandbox building games will be made in the future.

The building UI really, really shines. Landmark at its best is building things.
While inside your claimed area, you get to use your building tools. You start with the basic tools of add, delete, and heal. Add and delete either create a cube of stuff, or remove a cube of stuff. You can technically change the shape from a cube to a slope, a sphere, or a number of other shapes, and using the menu on the left, you can also change the material.

Now, if you had to place walls and such tiny cube by tiny cube, it’d take you forever to get anywhere. In the screenshot above, I was using the selection tool. You select some voxels (the white ones on the right), hit Ctrl-C, Ctrl-V, and bam! You have that exact shape and material to place (assuming you have enough materials in your inventory to do so. Cut and paste! Seriously, amazing!

The placement controls are pretty clever as well. In the image above you can see the axis I’m controlling is the vertical axis. Using the mouse scroll wheel, I can slide the placement cursor along that axis. And as the instructions indicate, I can switch axes, and I can also switch to rotation. I’m completely floored by these controls and just how well they work. My only complaint is that there is no strafing yet, so moving my character while trying to see if my placement is correct is incredibly difficult.

Now, in the screenshot above I’m clearly placing more of the wall, but I didn’t realize at the time that I could just make a selection using the selection tool and fill it with a material of my choice. So while it took me an hour to make the shell of the house, really, if I were to do it again now with the selection tool it’d likely take me 5 minutes.

Other tools you get are a line tool (which I have yet to use successfully), a smoothing tool to make your voxels mush together all pretty, and a fill tool (which I have also yet to use successfully).

But of course, since we have a fully-functioning voxel rendering system, all sorts of interesting emergent building techniques have surfaced, like inlaid patterns, and zero-volume voxels. The techniques used to generate some of these structures is crazy, and apparently the developers didn’t even have an inkling of many of these techniques. They’ve hit upon the holy grail of emergent game play.

Eventually, when they complete the ability to save off templates of your work and sell them to other players, I’m fully expecting to purchase awesome windows, doors, etc. so I don’t need to spend an hour just putting together railings, for example. But that will also be an amazing game changer as far as the industry is concerned.

After building the shell of my house, I spent a little time making stairs to it, and used my crafting stations to build props like lights and furniture. So now I have a cozy little (unfinished) house:

My gravel garden path all lit up, leading to my front steps.

The inside is simple, but having actual props like tables, chairs, chandeliers make a world of difference compared to Minecraft.

Granted, what I’ve thrown together pales in comparison to what others are capable of, but it was still a tonne of fun. Seriously, the building aspect of this game is the best, bar none. Which is unfortunate that it’s saddled with some uninspiring, lengthy gameplay surrounding resource collection and “crafting”. If this were an actual beta, I’d write the game off and say, well, it was fun for a bit, but given that it’s really an alpha disguised as a beta and we have more features coming down the pipe, I’ll be interested in seeing what other things they add.

Overall, the systems that exist are quite polished and relatively bug free. The client bailed twice, and I had to kill it once, which for 15 hours of play total is actually really good for a beta in my mind. I fell through the world once by using the add tool on top of me (makes me think that geometry calculation is done at the edges of materials and it figured I was “under” the earth rather than above). And of course the camera is extremely wonky. Everything else can be charted up to either missing or incomplete features.

Much of what Landmark is doing is pushing the envelope in the Minecraft-y genre, and I’m extremely impressed by what they have so far. I cannot wait to see what else they do. And I can’t wait to see what other creations players make, because the screenshot below from the alpha tells me that what players can do in Landmark is only limited by imagination and time.
I don't even... the level of detail is freaking fantastic!

#BadDesign, #Building, #FirstImpression, #GoodDesign, #Landmark